The Hamburg duo combines Dreampop and 60s-Psych To beguiling soundscapes From now on the first video "The Cities" online On extended tour in March and April It begins in an old house in the country near Bremen: Nadja R?debusch and Daniel G?dicke retire from Hamburg for a while to find the peace for new songs in the Lower Saxony province. There is now what is now to be heard on "Sun Sounds", the fourth album of the Binoculers discography - and the second album in duo formation. England's psychedelia of the sixties, the US American contemporary dreampop, the intimacy and abyss of bands such as The Notwist or Sparklehorse - musical poles between which Binoculers has moved since its beginnings. But never has this music been so illuminated and so immediately experienced as on this amazing album. After the creative calm in the countryside Nadja and Daniel again go to the big city, where they are in the Hamburger Konservatorium and in their own studio and import, produce and mix "Sun Sounds". With the help of guitar, piano, drums and harmony songs, the songs grow, open and unfold. Ancient synthesizers, field recordings and soundscapes are added and the album is immersed in the unreal light of a psychedelic sun. But there are also shadows - the often dark and dystopian texts of the duo add to the music a second, pictorial level. Both Nadja and Daniel create outside of Binoculers' music for feature films and documentaries - it is quite possible that listening is linked to seeing and influenced by one another. What has been created there in the sheltered cosmos of the own studio, the two multi-instrumentalists and producers also live very well. On their concerts, Binoculers create a dense and space-grabbing atmosphere, as one would hardly expect from a duo. 2017 is the band finally live again on extended tours through Germany and the neighboring countries abroad
