"2018 is a grand year for German traditional doom as it marks the album releases of three of the most important bands of that tiny but intriguing scene. I’m speaking of Angel of Damnation, Dawn of Winter and of course, the reason I’m sitting at my desk right now, the esteemed Mirror of Deception is back after a long break. Now, if only we could get a new Wheel full length…Oh, we also got the debut full length of Goat Explosion! While I’m a big fan of traditional fan, I reckon that the genre can be interpreted as samey or even “easy” to play. “Just write some Black Sabbath riffs, dude”. Sure, ok, but no, it’s not that simple. The best doom bands are the ones who go beyond the usual requirements and create distinct identities and pocket dimensions of goodness. MoD doesn’t sound like anyone else, they truly have an idiosyncratic take on the genre. It’s weirdly atmospheric with intriguing vocal melodies and trippy but subtle guitar riffs. I feel there’s some hints of Gothic rock in there or maybe crumbs of atmospheric rock but that’s just me trying to find where the uniqueness of their sound comes from. Veteran doomster Michael Siffermann has this German precision in his vocals, he’s mournful but confident. Alongside fellow guitarist Jochen Fopp, he took his time during after they got back together in 2014 to craft interesting and strong compositions Their process and approach reminds me of Revelation, perhaps the best American doom band of all time that never got their due. I feel the same ritual was done with Mirror of Deception, they spent countless hours in a dark chamber where old progressive rock was then fused the hell out of it with doom metal. What was left was a sorrowful potent blend of unique metal that’s challenging my understanding of what the genre should be or become. It’s not progressive per se, it just feels wonderfully odd and the choice of melodies is charmingly off putting. Their doom is both accessible and obscure, both catchy and obtuse… They’re a band of differences being thrown together.
