A band’s third album usually tells you whether they’re in it for the long haul or a flash in the pan. On Age Hasn’t Spoiled You, Greys prove that they are undoubtedly the former. The Toronto post-punks eschew their trademark frenzy for a more cerebral and cinematic affair. This widescreen approach loses none of the impact of their early material, instead employing space and dynamics to propel the listener toward even greater payoffs when they decide to switch back into high gear. The album is a richly textured experience that draws influence from krautrock, industrial, hip hop, dub, jazz, ambient, drone and more, sometimes within the same song. That their blend of disparate sounds neverobscures the album’s sharp focus is a testament to the group’s mastery of both songwriting and production.This is evident on lead single These Things Happen, which jumps from big beat psychedelia to CSNY harmonies and back again while Jiwani considers privilege, apathy, drug use, and content fatigue in oneverse. Elsewhere, on Kill Appeal, electronic drums pound and pummel before caving into a free jazz freakout, only to return for the song’s climax with a lyrical allusion to the writings of James Baldwin. The stylistic sprawl recalls classic third albums like Check Your Head, To Bring You My Love or Fear Of Music - records where artists reinvented themselves as something far beyond what was previously thought possible for them. With Age Hasn’t Spoiled You, Greys strive to exist in a similar echelon of bands that seek to shatterthe boundaries that contain them
