In his teenage years Jan Swerts was mesmerized by Wim Mertens, Philip Glass and Keith Jarrett. More recently, neoclassical composers such as Max Richter and J?hann J?hannsson, but also singer-songwriters like Joni Mitchell, Nick Drake and Mark Hollis had a profound impact on his music. Weg (Gone or A way - released in 2010) was a nostalgic journey through dark streets of his past, only escorted by a sparse piano and a thin voice. Humo, Knack, De Morgen, Radio 1 and Klara...all showered the album with praise. And they repeated this acclaim when Swerts released Anatomie van de Melancholie (Anatomy of Melancholy - 2013), a collection of gorgeous songs inspired by gloomy artists like Luc De Vos, Patricia De Martelaere, Johan Heldenbergh and Jotie T'Hooft. In September Swerts will display the post-apocalyptic world that is Schaduwland (Shadowland): the soundtrack of a zombified existence after the great catastrophe, the musical score of his horror year 2014. On stage the voyage through Shadowland will be a long, final convulsion: from a whirling and sweltering opening, past a decaying and airy electronic mid section to an extremely desolate 'piano no man's land'...