Canadian sextet Shooting Guns is known (and oft-nominated) for their film soundtrack work, but Flavour Country is more like a collection of anthems for your jettison from this universe into the multiverse. While they're known for heavy and saturated sounds befitting crazed horror-comedy flicks like Netflix hit WolfCop, Flavour Country features some of the band's fastest, heaviest and most visceral material to date. Yet, it also features some of the band's most atmospheric sounds as well. At times there are slight hints of Ennio Morricone's Spaghetti Western twang amidst the looping Meddle-era Pink Floyd heavy psych and driving drone reminiscent of Bobby Beausoleil's belladonna laced soundtrack to Kenneth Anger's Lucifer Rising. But for the most part here, Shooting Guns is out for blood, regardless of tempo. Album opener "Ride Free" kicks off with a blistering wall of guitars blaring and rattling out of the gate like mutant progeny to fellow Canadian biker-rock heroes Steppenwolf having duly fired all of the guns, exploded into space and returned to hunt down every last one of us. It accelerates from there: "French Safe" sounds like an unhinged battalion of musicians driving full throttle like a scene from a George Miller Road Warrior movie. Biting, lengthier tracks like "Simian Shelf" and the title track occupy the heavy end of the psychedelic spectrum, haunting the foggy moor between early, bluesy Sabbath-styled doom riffery and heavy pulse-riding kraut-rock. Flavour Country is the first album recorded by the band themselves at their own Pre-Rock Studios in Saskatoon, SK, located in the middle of the Canadian prairies. The album title's spelling is itself a nod to the band's Great White North homeland. The album was mastered by John McBain (ex-Monster Magnet, Carlton Melton), who also mastered the band's previous RidingEasy releases.
