On the cover of the new Couscous album you can see a heap of iron shavings and you can well imagine how they were made. Right from the beginning, sound is planed and squeezed through the sound machine. Rhythmic compositions are the first part of the successful collaboration with saxophonist Boris Hauf. E flat Stomping and grooving, rumbling and clattering terrifically, a Saz playing heavy riffs, and a large variety of instruments appearing and taking us deeper and deeper into a sound jungle. The sound cosmos is big and gets increasingly darker in the further course of the album, which comes out more and more like a collagen. A successful throw without barriers, but with lots of edges to enjoy