Martha Ffion’s work has always flourished within the latter of these two paths. While her Irish roots and current home city of Glasgow have undoubtedly informed her work, so many of her songs resonate all the more for feeling wildly devoid of time and place, an alluring cast of characters drifting in and out of focus, each one examining Ffion’s own thoughts on what it means to be “good” in a society that has such determined expectations. Initially breaking through with a ‘postcard single’ on Scotland’s flourishing Lost Map label, Ffion’s reputation soared with last year’s ‘Trip’ EP, a swooning five-track collection that was released by Turnstile Music (Cate Le Bon, Written entirely in Glasgow since her move from a distinct Catholic upbringing in small-town Ireland, and recorded with her full live band by Jamie Savage at Glasgow’s Chem 19 Studio (King Creosote, The Twilight Sad, Emma Pollock). Ffion’s debut album, ‘Sunday Best’, spans the first songs she properly wrote to her most recent compositions, the lush instrumentation bringing her detailed lyrical vision to life through a series of gleaming guitar-pop songs that drift between soft-centred balladry and something altogether more cutting and forceful.
