The turntable artist interprets Stefan Goldmann's Ghost Hemiola, which consisted of endless grooves with vinylcuts cut into knives. creatio ex nihilio in consequence. Unlike with her live performances, for Plays Cha vez employs digital processes extensively, zooming into minute details of sound and the artefacts of both mediums, the tangible vinyl record and disembodied digital audio. Narrowing down shards of sound to extremely short frames creates metallic timbres, reverberating quasi- spaces and percussive layers. Slowing down the tempo until sound halts at one sample of its digital representation brings forth emergent frequencies, which Cha vez then uses to play melodies - vaguely resembling her analog technique of playing melodies by skipping a stylus back and forth across a test tone record
