A Quiet Corner In Time began life as a sound work created by composer Simon Fisher Turner for renowned ceramicist Edmund de Waal’s installation at the Schindler house in Los Angeles. Fisher Turner and de Waal’s collaboration is a metamorphosis of that work into a standalone album release. The album represents the first time de Waal has collaborated so closely with a musician, and draws Simon Fisher Turner’s past into the present as it references his early sound work for Derek Jarman's films (he worked with Jarman from Caravaggio up to his final work, Blue). A Quiet Corner In Time brings together Fisher Turner’s field recordings collected with de Waal in Vienna and LA, alongside placed materials and architectural interventions: porcelain vessels, furniture, and vitrines. This huge soundworld combines elements of de Waal’s own history, detailed in his 2010 memoir The Hare With Amber Eyes; the Schindler House itself; its former resident John Cage, along with sounds swapped with Ryuichi Sakamoto into a meditative drama, poised between action and stasis, mischief and grace
