1986, music for a film that does not yet exist. Take the French melancholy of an imminent moment, tragic but inevitable, and add to it the ruthlessness of human existence - these are the components of a good story. 1986" is the soundtrack for this very film. Melodies composed for iconic characters like Betty from "37,2 °C le matin" ("Betty Blue" in Germany), or Jane from Wim Wenders "Paris, Texas", arranged as a road trip through one's own imagination, beautiful and cruel. If these references don't mean anything to you, don't worry, just imagine Twin Peaks on the beach, seagulls instead of owls, and ice cream on a stick instead of cherry pie. And if you hear something completely different, it's because of the openness of the music, which almost invites you to drive your own film along the notes. The organic sound is a result of Andrew's collaboration with the Tucson-based Frenchman Naim Amor, whose spacious guitar playing is an elementary part of the production
