Seamus Fogarty releases his new album A Bag Of Eyes on Domino. This is Fogarty’s third album — a wholly different sonic prospect to 2017’s much-lauded The Curious Hand. Weary of the guitar, and seeking something darker than its predecessor, he chose to lean more heavily on synths and drum machines, and additionally, to self-produce. On A Bag Of Eyes, there is industrial judder, slacker-fuzz guitar, a cacophony of saxophones. On one track, ring-modulated drums kick in with oscillating fury. Another moves from 90s’ shit-hole grunge venue to sleazy jazz joint in four minutes. Whilst on a third, a synth is deployed with the express purpose of sawing the listeners’ ears in half, Fogarty attests. However, beneath them lie fragments of melody, image, drone; a flicker of banjo, an electronic pulse. A Bag Of Eyes was recorded across London, Kent and East Sussex and features Fogarty’s partner Emma Smith, Meilyr Jones, long-time collaborators Leo Abrahams, Aram Zarikian and John Fogarty, as well as someone slightly more unexpected, an audience member recorded live at one of Seamus’ gigs in Dublin. If there is a restlessness to these songs it is there not only in their geographical sweep, their mingling of memory and nostalgia, but also in their sense of invention: audience anecdotes, a trad ballad cover, electronic fury, dirty guitar solos, all pressed fiercely together into something that feels startling and new and explorative
